Gino McKoy: 5 Things I Wish Someone Told Me When I First Became A Filmmaker  
 

June 4th 2021

This article originally appeared in Authority Magazine and on Medium.com
By Karina Michel Feld

If you don’t get your scripts made, be prepared to have it stolen if it lingers too long, my exec asst told me to tune into a famous tv series, and season 2 episode 2 was entirely my content taken from my script, down to the lines, nothing can prepare when you see your material on screen in front of the world.

As a part of our series called “5 Things I Wish Someone Told Me When I First Became A Filmmaker”, I had the distinct pleasure of interviewing Gino McKoy. A singer-songwriter, film director, producer and screenwriter, Gino McKoy was born in Port of Spain, Trinidad and Tobago and moved to Canada with his family at an early age. Canadian Director & Screenwriter Gino McKoy is releasing his upcoming Sci-fi Horror Thriller LUMINA, the very first sci-fi movie filmed entirely in Morocco. Starring Golden Globe nominee Eric Roberts, Ken Lawson and Eleanor Williams, LUMINA is bold and cerebral and distinctive from your standard alien movie fare.

 
Thank you so much for joining us in this interview series! Our readers would love to get to know you a bit better. Can you tell us a bit of the ‘backstory’ of how you grew up?
 
Thanks for having me, it’s a pleasure. Where do I begin, I was born in Trinidad and Tobago and migrated to Halifax, Canada with both of my parents at the age of three. My first musical concert was in Halifax, believe it or not, it was Tina Turner, my parents couldn’t find a babysitter that night, so they convinced the ticket person to allow me in. We were in the front row and Tina looked down at me and smiled, I remembered her legs and my ears were buzzing after, I was around 4 years old at the time. I also come from an ethnically mixed musical family. Both sides were into music, sang, played instruments etc. We moved to Brampton, Ontario not too long after. A city outside of Toronto, a lot of artists and people in entertainment also originated from there. Michael Cera went to my high school also, Heart Lake Secondary. I played high school basketball and cricket while I was there. I sang a lot growing up, and eventually around that time while attending University of Toronto and living in Mississauga, I decided to do a demo to see if music labels were interested after I graduated university.
 
Can you share a story with us about what brought you to this specific career path?
 
Wow, well during my time working on my music demo, I walked into metalworks studios in Mississauga, one of the best in Canada and met a sound engineer there by the name of Nick Blagona. He heard my voice and said he wanted to work with me. I didn’t know who he was at the time so I checked on him and realized he worked with the police, cat Stevens, deep purple etc. And I love rock and alternative and that type of pop, so I said okay let’s work together. We decided on recording in LA, at ocean studios in Burbank instead of a studio in Miami which recorded a lot of Bob Marleys music.
 
I decided to give up my career in banking in Toronto and go full time into music, my love and my passion. My parents supported it and were also coming along for the crazy ride. Got out to LA and we did the album, after all, Nick said that I needed to move out to LA to really showcase my talent. SO we did, and my first few years was very tough, because the labels I had spoken to wanted to change my style of music but I didn’t. So I eventually came up with the idea to write my own movies and get it produced and put my music in it to break my music and get it the recognition I felt it deserved. And now we are here, with a lot of other unbelievable stories in between of course.
 
Can you share the funniest or most interesting story that occurred to you in the course of your filmmaking career?
 
I think the most interesting story was when I shot Lumina my debut film, it was the first sci fi film ever shot in its entirety in Moroccan cinema history. Also the biggest and only sci Fi interior sets ever built in Moroccan cinema history. Keep in mind, some of the filmmakers I look up to, shot in Morocco, like Ridley and Tony Scott for example. The filmmakers of Morocco and Dune Films, our service producers made us aware of this since they only film sword and sandal, action and crime movies that needed deserts or a middle eastern backdrop but never Sci FI. LUMINA created history which was great to hear and a blessing.
 
I would also add in here, my first script LMI, was also one of the very few scripts that was not made but I had consulted with the FBI on it. There was an article written on that as well. The FBI only consults on very few films.
 
Who are some of the most interesting people you have interacted with? What was that like? Do you have any stories?
 
Sir Ben Kingsley, I was invited to his home in Beverly Hills, he had read my first ever script I wrote in Hollywood, LMI, female action movie in the vein of Bourne identity and Bond, that I wrote in about 2 weeks, surprisingly. He was attached to play the antagonist. SBK has such a commanding presence in the room, he sat next to me and said, “don’t change what you write because people tell you to, stick to what you believe in”. That always stayed with me…
 
John McTiernan (director of Predator, Die Hard), John Met us around the same time of my meeting with Ben. He had just gotten out of jail for wiretapping, the FBI caught him and he went away for a year I believe. He read LMI and loved it and came out for a weekend with his wife to meet me to discuss us potentially working together, at this point I wasn’t directing, I was mainly writing and producing. I admired his work and Predator is still one of my favorite movies of all time. Sadly, we had creative differences and John wasn’t ready at that time to go to a dark place, because my script was pretty dark in tone and I wasn’t willing to change that. Of course we decided we would stay in touch for future projects but it was great hearing John’s process and how he operates and directs and his creative process as a director.
 
Another great Legend I met is Christopher Plummer, a truly wonderful very talented Canadian actor who was also interested working with me on LMI and Lumina. Due to his age, traveling and COVID a lot of actors could not commit to projects in 2020, but he wished us well. He passed a week after LUMINA completed production. Christopher also supported our charity Kinder Krisis at our TIFF private event for LMI in Toronto. The stories and jokes he shared with me will never be forgotten but it can’t be shared , lol.
 
None of us are able to achieve success without some help along the way. Is there a particular person who you are grateful towards who helped get you to where you are? Can you share a story about that?
 
God firstly, my parents and their eternal support and love, never die attitude, and our dear friend David Seychell who always believed in me and supported us with my music and film. David is a producer with us, and he helped us get our first film off. On his way to visit us before I travelled to Morocco, with his private plane, he had an accident where his plane crashed in the Colorado mountains, he almost died, a third of his body was burnt and he survived miraculously. Thank God, without those 4 above, I would not be here..
 
Can you please give us your favorite “Life Lesson Quote”? Can you share how that was relevant to you in your life?
 
Never give up… no matter how hard it is or how dark it gets, keep fighting. There was many that wanted me to give up, quit, forget about film and music but I refused to. If you have a dream, passion or goal, stay with it till the end. You have one life and seize your opportunities and take the risk. Don’t ever be afraid to take the risk. Nothing ventured, nothing gained.
I am very interested in diversity in the entertainment industry. Can you share three reasons with our readers about why you think it’s important to have diversity represented in film and television? How can that potentially affect our culture?
 
-We live in a diverse community in North America. The world is watching Hollywood and Hollywood wants the world to continue watching their movies and tv series. Greater revenues for investors, studios and filmmakers, diversity sells internationally believe it or not
Every ethnicity has a story that needs to be told, that’s important to be told and heard, seen, it’s a part of humanity’s progression to a better more accepting and welcoming world, one world
It will affect our culture in a positive way because unity means strength, kids growing up and seeing the diversity and acceptance will strengthen the US. The nation needs to come together to be stronger and film, tv has the power of uniting and breaking down barriers. A mixed culture means stronger relations internationally and also a stronger domestic film sector that becomes much more marketable to the world.
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Toronto, ON
This article originally appeared on ArtistRack

Any artist looking to change the game knows you’ve got to have an eye for the big picture and maintain a constant lay of the land. Gino McKoy has made big moves within the music and movie industries, beginning with his first-ever original composition getting played at the 2006 FIFA World Cup. He’s turned Goldove, his music, film & fashion conglomerate, into an international force to be reckoned with. He’s not only a singer/songwriter but also a talented film and music video director, screenwriter and film producer.

Rarely does a combination like this come along in the entertainment industry – Gino McKoy is the exception to this rule. His upcoming independent sci-fi horror film Lumina will be released Nationwide to 2,500-plus screens in North America. The feature film is being distributed in US by Entertainment Studios Motion Pictures/Freestyle Releasing and Worldwide theatrically with Filmnation. This will be followed by a release on all streaming video on demand platforms like Netflix.

Gino McKoy’s latest video is for “Sensy Girl,” one of three original tracks on the Lumina soundtrack. It’s the perfect embodiment of how this son of Trinidad and Tobago and Toronto thinks huge while keeping a lock on the tiniest of details. Not to mention it was Produced by the legendary music producer, David Kershenbaum with Gino McKoy and mixed by the legendary Mick Guzauski, a 15 time Grammy award winner, who has mixed over 25 #1 Billboard hits in his musical career. Also to note, Gino McKoy’s father and mother are seasoned performers, whose combined pedigree includes everything from Caribbean music to Classical.

Last we checked, there were roughly one million songs about guys getting lifted. Gino McKoy isn’t one to walk well-beaten paths, so he and collaborator Diamond thought, Why isn’t there a positive, soulful anthem about women and weed? It started with a guitar riff and ended with a classic yet modern R&B track that showcases Gino McKoy’s natural songwriting talent, classical voice training, and Diamond’s lyrical flow. It only made sense to write a song about these goddesses in the context of Sensimilla – the female strain of the weed plant, and specifically, its Caribbean nickname. Gino McKoy makes “Sensy” his own, in this sexy, uplifting jam that’s heavy on the bounce, with a killer synth line and intricate, hooky beat. In his own words, it’s a “celebration of women and music everyone can listen and dance to.”

A man who has always put his money where his mouth is, Gino McKoy is putting 20% of the merchandising revenue for “Sensy Girl” into his new women and children’s charity, Kinder Krisis. The track is also something of a theme song for one of the strong female leads in Lumina, who definitely matches that positive description of a Sensy Girl.

The song’s unique angle, with its focus upon women, required a careful, cinematic approach to shoot. He and his team used vintage lenses, for a grainy, classic look. The raw, industrial, urban space is bare, so all eyes stay on the women and the generous clouds of silky smoke that envelop them as they exhale.

It’s Nouveau Chic, but with old-school visual effects, akin to the approach he took with Lumina. To make the visuals even more striking, Gino McKoy not only Directed and wrote the treatment for the music video but he also recruited Chris Jensen, the mind behind the color grading for the live-action Aladdin, M. Night Shyamalan’s Glass, Spielberg’s Bridge of Spies, and Ready Player One. Check out the stunning video for “Sensy Girl,” and see if you catch a little otherworldly nod to Lumina in there.

FOR IMMEDIATE RELEASE:

June 14, 2019 – WORLDWIDE 

Gino McKoy‘s debut release, LUMINA EP JUST DROPPED. The three-track album includes pop / rock music singles Everything to Me, Sensy Girl and Runaway on the Goldove record label. The songs are published with BMG and are new music for summer 2019.

The songs, which were written and performed by Gino McKoy, are available for purchase and download in the Official Gino McKoy Store.

Just in time for summer 2019, Gino McKoy‘s new music tracks Sensy Girl, Everything to Me, and Runaway are now available to buy or stream on all major music platforms worldwide. 

LUMINA EP features three singles, written and performed by Gino McKoy

The three singles will be featured in the upcoming theatrical film, LUMINA, which was written and is to be directed by Gino McKoy. LUMINA will be released to theaters worldwide in early 2020. 

Be sure to visit www.ginomckoy.com and follow on Facebook, Instagram and Twitter to keep up to date with the latest news about Gino McKoy.

LUMINA EP available now - Gino McKoy Music Single - Sensy Girl, Everything to Me, Runaway

 

WORLDWIDE 

Gino McKoy is pleased to announce that his debut release, LUMINA EP, will be available worldwide on June 14th, 2019. 

LUMINA EP features three singles, written and performed by Gino McKoy

The songs will be available on all major streaming platforms worldwide, including Spotify, iTunes, Apple Music, Tidal, Deezer and more. 

The three singles will be featured in the upcoming theatrical film, LUMINA, which was written and is to be directed by Gino McKoy. LUMINA will be released to theaters worldwide in early 2020. 

Be sure to check the Gino McKoy Official Website and follow on Facebook, Instagram and Twitter to keep up to date with the latest news and availability.